Smokey's Blog

we gonna do the damn thing or what

Tag: triple j

Roll Up Your Sleeves lyrics

I’ve been hit up a bunch of times to post the lyrics from my version of Meg Mac’s Roll Up Your Sleeves. It’s taken a while because I’m lazy but here they are.. check my earlier post (inc the video) here.

ROLL UP YOUR SLEEVES
Kira Puru
Roll up your sleeves
And face the face it’s looking right back at me
It’s easier to leave it oh
It’s easier to fake it, oh oh
So I’ll go and I’ll join the free
There’s people there, they’re just like me oh
Bertie Blackman, Kira Puru, All Our Exes Live in Texas 
[Chorus]
Everything is gonna be alright
Everything is gonna be alright

Urthboy
January tricked you when it looked you in the eye
and said no matter what you've been through/ with me, you'll be renewed
a promise made at midnight/ a fire sale that
knew it couldn't drag you into something/
you don't wanna do/ a heart that's full of nightfall
hanging on dear life for/ first signs of daylight
but what if I refuse? what if it all passes like cycling of news
while I'm searching for an ocean/ I can wade into
what if I don't stick around for/ February's saving grace?
maybe I don't know it now/ I'll be in a different place
what I wouldn't dare to face if I don't find my feet
til March I'll find a way of giving chase, best believe
the arms of april may have open hands that hold you up
the pages we're reopening from what we'd folded up
we're not tryna front with all that 'winter isn't cold enough'
but we can handle anything they throw at us
[Chorus]
Everything is gonna be alright
Everything is gonna be alright
Urthboy
July had left you waiting, and August wasn't answering
but you're in touch with everyone you've ever known/ never so alone
a starry-eyed september/ reminding you of something
that you cannot quite remember/ so you're reaching for your phone
calling in a favour/ but it's ringing out
you're hanging up before it goes to message/ is anybody home?
there's trouble in your palms and they're making for a handrail
but if you fall/ it's something that you'll own
breathing in the time we borrow
won't be gone until november we'll be here until tomorrow
may as well take a risk
people singing carols while I'm singing this
roll up your sleeves this is it, let em sing it
[Chorus]
Everything is gonna be alright
Everything is gonna be alright
ohhhhh
Roll up your sleeves
Roll up your sleeves

How to Like a Version

During soundcheck for the biggest show of Hermitude’s career, I received an email asking if I’d like to do the last Like a Version of the year. The catch was that I’d have about 8 days to put it together.

I stressed about it. I got appropriately drunk after the second of two crazyamazing shows and resumed peak anxiety about the like a version cover as I walked home at 6am.

There’s a long line of great covers that have been created for this popular segment on triple j so the prospect of pulling off something good in a short space of time was intimidating. First call? Manager Mondo. He suggested I work with a guy named Jack Grace Britten, who could assist with a musical arrangement. I was also staring down my first gig that weekend and was underprepared. I could feel my hair thinning and falling from my head like passengers on a sinking boat. I called Jack.

I shot an email to Tom Thum, an international star and an old mate I met through hip hop. He was in Abu Dhabi but was returning home a week before this. I called Luke Dubs, who had just finished a US/Europe/Syd/Melb tour and had every right to say no. I gave Kira Puru a buzz as she prepared for that night’s show with Paul Kelly on his Merri Soul Sessions vineyard concert. I checked in with Bertie Blackman, luckily back in Australia for a few months. Lastly, Mondo called All our Exes Live in Texas.

Despite hectic schedules and inconvenient timing, everyone said yes. It was a big deal. Jack shot me an arrangement and I began writing the first of two verses. I could go on and on but we made a little video that takes you into this process, and below that, is the end product: the live recording we did in triple j’s studios.

And here’s the youtube video. Together with the facebook video, it’s had 500,000 views in a week.

Oh and we did a live version of Long Loud Hours, which turned out beautifully thanks to the additional vocals of All Our Exes Live in Texas.

Thanks as always to triple j, they’ve created such a monster with Like a Version, a segment that’s been running for 10 years now. Also big thanks to Matt and Alex, and Greg Wales who engineered it all.

Jimblah

I heard about Jimblah through a good mate BVA from Mnemonic Ascent years ago. For those who don’t know, BVA is a dope producer, rapper and lyricist who had a little studio in his house in Adelaide, while he cared for his grandmother in the attached granny flat. The Herd reluctantly toured Adelaide in those days because we’d be playing to 800 people in Sydney and Melbourne, only to scratch our heads as a trickle of Adelaide’s finest would make for a sparse venue. Hard to justify when you’re flying 10 people around. We did, however, look forward to hooking up with BVA for the odd studio session so there were never any regrets. Actually that’s a lie – we had band members who swore blind never to return to South Australia. We did though, many times.

BVA worked with Jimblah in a kind of mentoring role, and this is one of the first songs I heard that made me really take notice in 2006 or so.

The moment Jimblah stopped me in my tracks was with his debut album Face the Fire – it’s undeniably underrated, but it’s arguably a classic. I clearly remember driving around Adelaide airport dropping a hire car off after unloading the band to check-in, tears welling up in my eyes as I played the title track – and its heartbreaking outro. I was struck by how good it was. How on Earth was this record not being talked about, everywhere? That moment set off a chain of events that included Jimblah enthusiastically agreeing to join up with Elefant Traks; Pegz being magnanimous enough to allow us to sign him despite a contract with Obese Distribution in place; and us re-releasing Face the Fire. Here it is in full:

 
He’s been productive ever since. He brought that distinctive warm strained soul to Glimpses and On Your Shoulders on my most recent album Smokey’s Haunt.

Then took The Tongue to a new level with his part in the push and pull of Victory from his 2013 album Surrender to Victory.

After he signed off on the mixes of his album mid 2013 he flew to Sydney, dropping into triple j to cover Matt Corby‘s Resolution. By flipping some of the lyrics he completely recontextualised the song in a manner consistent with the single-minded focus and dedication he’s shown on his new album Phoenix.

The following month saw Horrorshow‘s third album King Amongst Many land at #2 on the national charts with a brilliant collection of songwriting and production. One of the most memorable songs on the album is Own Backyard, the collaboration with Jimblah – a stunning match of mood and lyrics with a showstopping verse from Solo and a heartfelt chorus from Jimblah that knocks it out of the park. A future classic.

And at last, the follow-up to that incredible debut album is almost upon us, with this beautiful video and haunting introduction to Phoenix.

I know I write more words than is maybe necessary. Sometimes I find it hard to encapsulate just how much this music means to me. It feels so important not just as works of art, but in the insights it provides as we seek to understand ourselves. His posts on his facebook page are an accurate reflection of the way optimism and turmoil have to slug it out. It’s honest, like his music. The entire world should pull up the handbrake and stop to listen to artists like Jimblah. But if that’s unfeasible, then at least you should.

Jimblah’s album Phoenix comes out October 11 through Elefant Traks.