Spring & Fall Tour Diary Part 6: ADL-WA

by urthboy

ADELAIDE – TUESDAY AUGUST 20

 

Doing so many shows in such a short time has definitely pumped up the tyres and my confidence level is criminally high. It should go without saying that it’s all in my head of course. Drifting down my list of concerns is the junkie chase of validation and I find myself enjoying what I thought was an amusingly muted reception tonight. I visualise myself as the away team kicking goals in the face of a parochial home crowd. My in-ear monitoring only picks up crowd noise if it’s audible through stage microphones – or if it’s REALLY loud. Regardless we reefed the sail and charge blindly into the Adelaide headwinds and I was having a fucking ball. We know PK and band are going to nail this thing to the wall no matter what we do but I’ll be damned if I don’t take the piss, affectionately of course, in proportion with my feelings towards South Australia, out of an audience that doesn’t get me.

Repping Delta in front of the grandiose pipe organ of ADL Town Hall (Steve checks Zoe's dbl bass)

Repping Delta in front of the grandiose pipe organ of ADL Town Hall (Steve checks Zoe’s dbl bass)

I got a shock however, as I left the stage and removed my monitors, to hear a bloody LOUD applause, completely at odds with the muted feed that my ears were receiving. Was this gig actuals awesome the entire way through? I don’t know? I started to feel bad about teasing the crowd.

Jane Tyzzle planking Adelaide Town Hall

Jane Tyzzle planking Adelaide Town Hall

Paul invited us into his more spacious backstage green room while they were on stage and Dan had made a playlist of oldtime music that joyfully plays. Earlier that afternoon Dan had bought a painting for $7.50, perching it slanted on the dresser. At roughly 1.5 metres wide and a metre high, questions were already being asked of its transportation on tomorrow’s flight to Perth. It was doomed unless we could find a new home before the night was over.

Dan Kelly's acquisition

Dan Kelly’s acquisition + backstage mixtape

It just occurred to me I haven’t once mentioned my new album on stage this entire tour.
 

PERTH – THURSDAY and FRIDAY AUGUST 22 and 23

 

Our main accomplishment in Perth took place backstage

We accomplished great things in Perth

We’ve had the privilege of getting to know some of the crew that put each show together and it’s a big deal for us to be hanging around them. The idea that we’re the talent and they’re the grunts couldn’t be a more ridiculous proposition and it’s illuminating witnessing their professionalism and senses of humour. Dickie, in charge of monitors side of stage is a quick witted sports loving bloke who makes us feel welcome. Steve is the guitar tech and becomes the subject of crowd whispers each night as he moves on and off stage like a monotone ballet dancer tuning guitars during the show. Christian is the keyboard tech who used to be drummer for a band called Egg and at some point with Pinky Beecroft. He’s hilarious with an infectious laugh and an overly opinionated twitter account.

Crew

Dickie standing left, Steve kneeling, Christian far right. We couldn’t show you Greg Weaver’s face cos he’s too much of a boss.

Being the support act our budget was tight so our soundy for the first 18 shows was the guy who drove the truck. Luckily he was James Leydon, a career roadie and rock & roll loving engineer who took Lozz under his wings (introduced to Phil and band backstage at a Grinspoon gig while we were in Melbourne). On our monitors was Gordon ‘Gordo’ Wood who also recorded a few of our shows we’ll hopefully release later this year. A big thanks to these two guys.

Ping Pong in Perth with Zoe and PK

Ping Pong in Perth with Zoe and PK

In charge of everything is Greg Weaver – an enigma to us but a hero to the whole crew as he manages production and tour logistics as well as doing sound for Paul. There is not a single person who once mutters a bad word about him the entire tour. James matter of factly commented that “he’s always been a soundy but even when he started managing the whole production he never stopped doing the grunt work.” I recall in Newcastle watching him at the sound desk as he air-drummed Bree’s percussive fills and, unaware of anyone watching, subtly swung his arms as his fingers plucked a mean air-guitar solo. This is a guy who loves being part of the show. Loves the whole event and knows how to put it together. He always keeps an arms length from us, never getting too friendly, but crucially, never once making a mistake or missing a name from our doorlist. If we turned this tour into a feel-good movie, he’d be the school principal who the teachers love but the kids square off against, only to have an emotional farewell upon graduation. “You’re the best Mr Weaver!” *kids waving as the bus leaves*

Next week is the final leg of this incredible run. Two regional shows in Victoria and we close it out in Tasmania.

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